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Unreasonable Behaviour: An Autobiography, by Don McCullin
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"McCullin is required reading if you want to know what real journalism is all about." --Times Literary Supplement
From the construction of the Berlin Wall through every conflict up to the Falklands War, photographer Don McCullin has left a trail of iconic images.
At the Sunday Times Magazine in the 1960s, McCullin's photography made him a new kind of hero. The flow of stories every Sunday took a generation of readers beyond the insularity of post-war Britain and into the recesses of domestic deprivation: when in 1968, a year of political turmoil, the Beatles wanted new pictures, they insisted on using McCullin; when Francis Bacon, whose own career had emerged with depiction of the ravages of the flesh, wanted a portrait, he turned to McCullin.
McCullin now spends his days quietly in a Somerset village, where he photographs the landscape and arranges still-lifes -- a far cry from the world's conflict zones and the war-scarred north London of Holloway Road where his career began.
In October 2015, it will be twenty-five years since the first publication of his autobiography, Unreasonable Behaviour -- a harrowing memoir combining his photojournalism with his lifework.
The time is right to complete McCullin's story.
- Sales Rank: #2558199 in Books
- Published on: 2015-10-15
- Released on: 2015-11-24
- Original language: English
- Number of items: 1
- Dimensions: 9.48" h x 1.53" w x 7.22" l, 2.68 pounds
- Binding: Hardcover
- 362 pages
From Publishers Weekly
Legendary British photojournalist McCullin ( Hearts of Darkness ; Beirut: A City in Crisis ) has captured the essence of war on film in the Congo, Biafra, Vietnam, Cambodia and Afghanistan. His engrossing autobiography includes 94 examples of his powerful images. Typical of his compassionate yet unsparing work are photographs of a Biafran officer lecturing one of his dead soldiers and of an inmate in a Beirut insane asylum carrying a handicapped child to safety. Aided by freelance writer Chester, McCullin recreates his childhood in London's mean streets and tells us how he got his first assignment. The majority of the book, however, evokes the sad, grim and ghastly moments he brought into focus through his viewfinder and the heavy personal price he paid for those pictures: malaria, broken bones, shrapnel wounds, death threats and a traumatic stint in Idi Ami's most sinister prison. Neither sentimentality, self-pity nor self-congratulation soften the harrowing story of McCullin's quest for the perfect war picture.
Copyright 1991 Reed Business Information, Inc.
From Kirkus Reviews
Unsparing reminiscences that effectively combine the bittersweet life of a world-class photojournalist with a generous selection of his haunting lifework. A product of one of north London's tougher slums, McCullin came of age during the WW II blitz. Having returned to the old neighborhood and an animation-lab job following a hitch in the RAF (where he acquired an interest in photography), the author sold some shots of local gang members to The Observer. Further assignments resulted, and McCullin was off on a globe-trotting career that over three decades would take him to 120 foreign countries and more than two dozen wars--in Biafra, Cambodia, the Congo, Cyprus, El Salvador, Iran, Israel, Lebanon, Northern Ireland, Uganda, Vietnam, etc. During the years that he made a name for himself bringing home to newspaper readers the horrific realities of battle for noncombatants as well as front-line troops, the author narrowly escaped death on countless occasions. At once drawn to and repelled by the bloody violence whose heart of darkness he so graphically captured on film, McCullin marches to the beat of a different drummer these days. Leaving little doubt that his focus on the force of arms was as much a matter of circumstance as choice, he notes that somewhere along the line the UK press began covering lifestyles in preference to life. With his brand of stark images in disfavor, the author and his employer of 18 years (London's Sunday Times) parted company during the early 1980's. Meanwhile, McCullin lost his wife to brain cancer, further diminishing his tolerance for death and destruction. Today, the author rattles about a Somerset farmstead, trying to come to terms with a volatile past, restless present, and uncertain future. A genuinely affecting memoir that reckons, without self-pity, the cost and loss involved in making one's way on the cutting edge of conflict. (Ninety-four powerful photographs.) -- Copyright ©1991, Kirkus Associates, LP. All rights reserved.
Review
“McCullin handles much of the material culled from his war experiences like a seasoned thriller writer. His dialogue is convincing and sharp.” -- Observer
“Required reading if you want to know what real journalism is all about.” -- TLS
Most helpful customer reviews
11 of 11 people found the following review helpful.
Demons and Dirt
By MR HAYDON A DEWES
This book is more than just a description of one man's life. As one wades through chapter after chapter of Don McCullin's thoughts and reflections, it's plain to see that he is a fighter. From a harsh upbringing in wartime London, to his constant struggle to bring images of conflict and misery into the public eye and his resultant battle against the ghosts of his death-stained past, a theme of conflict courses through the pages of this book like hot blood from a unstaunched bullet wound.
Unlike John Simpson's hedonistic autobiography of his life hopping between the earth's hotspots, "Strange Places, Questionable People", McCullin dashes past the glorifying clichés of foreign correspondence and portrays the harsh reality of a life under constant pressure, whether it be the initial social stigma of being of an inferior class within the media sector, the fear experienced as incoming artillery comes whistling towards him, or being locked up in a foreign prison, where death lurks around every corner.
This is McCullin's way of exorcising the demons of a life filled with frightful images that most of us merely glance at from time to time, and acknowledges this in the final chapter. Although McCullin does not delve as deep into the psyche as Anthony Loyd's memoir "My War Gone By, I Miss It So", this book rates as being one of the most sincere accounts of life on the front-line as I have experienced.
9 of 9 people found the following review helpful.
His Life That Illustrates Death
By Gabrarian
I came back to Don McCullin after accidentally coming across a collection of his photos many years ago. A photgraph he took of a starving albino Biafran boy had seared its self into my memory, though at the time I was too wrapped up in my college reading requirements to fully explore his work and autobiography. So five years later, while I couldn't remember McCullin's name, the power of that one picture egged me on until I finally, after digging through the university library's photo section for a few hours, found his books again.
The autobiography is amazing because of the incredible story and insanity of McCullin's career. It is all the more extraordinary because of the direct potency of the writing coming from a man who has suffered from dyslexia and generally avoided books. With this work McCullin shows the humanity of war and the morbid destruction thrust upon a people; the surreal insanity that must infect those living with and creating death.
With yet another large scale war impending this book is an illustration of the basic humanity that too often gets lost in politics.
2 of 2 people found the following review helpful.
A compelling read
By Brian Jones
I've always been interested in McCullin's work - who hasn't. But I've also become very interested in him as a person and his own personal story - one that's seen him photograph so many wars and conflicts, so many tragedies and the toll that it's taken on him.
This book sheds some light on McCullin the man. The book can't possibly give you a complete picture: I'm not sure any one source can do that but along with interviews and other readings, this book helps give you a sense of what it takes to put your life on the line as a war photographer and the price paid for witnessing historic but awful events. I've gained a new respect for him that's for sure and I'd encourage anyone with an interest in war reporting to invest ion this book.
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